In summary, decent Betty Boop cartoon but she's done much better. The story is also slight and predictable and the cartoon starts off in a not particularly interesting fashion, coming to life when Grampy arrives on the scene. Although cute and entertaining, there is still a tame feel and slight blandness. However, there is a vast preference for the Betty Boop cartoons that have a more surreal edge to the visuals and sharper and more risqué material. There are some amusing moments and it is cute without being too saccharine. The music is infectious, lush and dynamic. The animation, as always, in 'House Cleaning Blues' is fantastic, especially in the backgrounds and in the wondrous 3D effects. Grampy steals the show, an endearing and riotous character with ingenious inventions. The good news is that she has not lost her charm, despite being significantly toned down, she is still cute and her comic timing is good. The character of Betty Boop, one of their most famous and prolific characters, may not be for all tastes and sadly not as popular now, but her sex appeal was quite daring for the time and to me there is an adorable sensual charm about her. Their visual style was often stunning and some of the most imaginative and ahead of its time in animation. Fleischer were responsible for some brilliant cartoons, some of them still among my favourites. While the later Betty Boop cartoons made after the Code was enforced are still watchable and exceptionally well-made, they are so toned down that they feel bland. Final appearance in the Screen Songs series.A good deal of the pre-Production Code Betty Boop cartoons are daring and creative, with content that makes one amazed at what's gotten away with. Popular Melodies (Music by Arthur Jarrett) Romantic Melodies (Music by Arthur Tracy) Rudy Vallée Melodies (Music by Rudy Vallée) You Try Somebody Else (Music by Ethel Merman) Let Me Call You Sweetheart (Music by Ethel Merman)
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